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Step one, and where everybody here begins

Getting Started in
Art Photography

Eight weeks of learning how to physically create interesting artwork, from painting straight onto a photograph to lifting and transferring an image using different mediums. The camera becomes one of the tools on the workbench of art, weaving in and out of the process along the way.

$690 · eight weeks if you follow the programme, or carry on at your own pace for as long as you need · five months complimentary access in the Inspire Community included

This is the first of four courses. See where the path goes

Who is this creative journey for

Photographers who have run out of road

You can already take a good photograph. What you cannot do yet is create a photograph that stops somebody dead in their tracks, an interesting photograph with emotive depth. This course is the bridge, and it does not matter whether you have ever held a paintbrush in your hands.

Right for you if

You are a competent photographer who feels stuck

You know your camera. Your pictures are correct. You want them to say something, and nobody has ever shown you how.

Also right if

You are an artist curious about photography

Plenty of students come from painting rather than photography. The techniques here belong to both worlds.

Not for you if

You want applause rather than progress

You will be told the truth about your work, kindly and honestly. If that is not what you are after, this is the wrong place and we would rather say so now.

Where this leads

One path, four courses, and no obligation to walk all of it

Everybody starts here. The techniques are taught one at a time and each one builds on the last, which is why the courses run in order rather than as a menu you pick from.

Step one

Getting Started in Art Photography

An introduction to the hand techniques. Painting, transfers, solarisation, powder and montage. Where everybody here begins, and where a great many people happily stay.

Available now

Step two

Going Further in Art Photography

Eight advanced techniques built around abstraction. Paint fused into glass, images broken apart, a lens you make yourself. This course is for photographic artists who want to add a strong artistic layer to their work.

Available now

Step three

Next Level Fine Art Photography

Where art photography becomes fine art photography, and the work stops being decorative and starts being emotive.

Being recorded now

Step four

Advanced Fine Art Photography

The ultimate point on the path, for photographers building a body of work rather than a collection of pictures, and for those wanting to exhibit as a professional artist.

Being released in 2027

A word of honesty about this. A great many people do this first course, love it, and stop, and that is a perfectly good place to end up. You will have a technique you can use for the rest of your life. The people who carry on tend to be the ones who find that abstraction has got hold of them, and later that they want their work to move somebody rather than decorate a wall. Art photography is largely decorative. Fine art photography is emotive. The last two courses are where that turn happens, and they are being recorded now.

What you will actually be creating

The same photograph, before and after

Each one of these was created by a student on this very course. Click on them and have a closer look at the transformation process.

Photograph by Jaco Wiid before the art photography techniques were appliedBefore
The same photograph by Jaco Wiid after hand worked art photography techniquesAfter
Jaco Wiid click to enlarge
Photograph by Debra Jamroz before the art photography techniques were appliedBefore
The same photograph by Debra Jamroz after hand worked art photography techniquesAfter
Debra Jamroz click to enlarge
Photograph by Samantha Lee Osner before the art photography techniques were appliedBefore
The same photograph by Samantha Lee Osner after hand worked art photography techniquesAfter
Samantha Lee Osner click to enlarge

Paint, solvent, powder, wax and paper

The techniques that will take you from photographer to photographic artist

There is no Photoshop filter or AI equivalent for this. This sort of art is done by hand, on a creative workbench, and it is why the results do not look like anybody else's. Photographic artwork that carries your signature.

A fine brush adding paint by hand to a printed photograph
Hand painting and embellishing
Hands working a luminance transfer flat on the bench
Luminance transfer
Lifting an image with solvent and light on a lightbox
Lift and transfer
A flat blade sweeping black powder across a transfer sheet
Black powder transfer
Peeling back a wet layer to raise the surface of a print
Paper tolling and texture
Cut sections of a portrait being arranged by hand
Photo montage

Week by week

The eight lessons

One module delivered each week, so you have time to enjoy each technique without pressure. Eight weeks if you have the time, or carry on at your own pace, as every module stays in your library afterwards for good.

Week 1Introduction, and getting ready with supplies and materials+

What you will need, where to get it, and how to set up a working space. Nothing exotic, and nothing expensive to begin with.

Week 2Painting and embellishing, by hand and digitally+

Adding paint directly to a photograph, and the digital equivalent when you want the control. This is the lesson most people fall in love with.

Week 3Documenting artwork, plus abstract with acrylic and impressionism+

How to photograph your own finished pieces properly, then acrylic medium and impressionistic treatments.

Week 4The art of solarisation+

A darkroom effect brought forward, and how to control it rather than leave it to chance.

Week 5Solvent illuminate transfer, the Polaroid simulation+

Lifting an image with solvent and light. The texture you get from this cannot be faked with a filter.

Week 6Colour transfer and bas relief+

The colour version of the transfer, and raising the surface so the picture has physical depth.

Week 7Black powder, or charcoal, transfer+

Sweeping powder into an image by hand. Smoky, unpredictable, and completely yours.

Week 8The art of photo montage+

Cutting, arranging and combining. The lesson that pulls everything before it together.

Martin Osner and his daughter Samantha Lee Osner standing together in their own gallery, with their fine art photography on the walls

Meet your instructors

Martin Osner, with Samantha Lee Osner

Thirty five years of teaching, twenty five as a fine art photographer, and a gallery of his own with his work on the walls. He teaches this course alongside his daughter Samantha, who came through his own courses and in a very short time has become an established artist in her own right.

The techniques in this course are his own, developed over many years, and he gives them away completely. As Tara Crossley put it, he does not mind telling you everything.

Watch Tara's full interview

Real people, real journeys, real artistic growth

Students who started with this course

Both of these students started right here, on this course, and have now gone right up to Masterclass level. Watch their interviews without leaving the page.

David Schlosser talking about Martin Osner's art photography course 5 min

“I recently started selling. From the techniques I learned in the course, which I was not expecting to do.”

David Schlosser, photographed for the artist portrait made on the course

David Schlosser

Found Martin on YouTube. Had no portfolio. Now selling work.

Watch the full interview
Tara Crossley talking about Martin Osner's art photography course 9 min

“Maybe the most surprising thing was that I can do it too. That I can make beautiful art as well.”

Tara Crossley, photographed for the artist portrait made on the course

Tara Crossley

Lost her creativity over the years, and got it back.

Watch the full interview

Student showcase

Work that did not exist eight weeks earlier

Meet some of Martin and Samantha's students. Click on a picture to see the details and the technique used, then move through them with the arrows. Seeing is believing.

A photographic artwork by Catalin Marcu, made on the Getting Started in Art Photography course using the Black Powder Transfer and Watercolour techniqueA photographic artwork by Jaco Wiid, made on the Getting Started in Art Photography course using the Acrylic Overlay techniqueA photographic artwork by Kathy Kay, made on the Getting Started in Art Photography course using the Hand Painting and Embellishing techniqueA photographic artwork by Lian Siekman, made on the Getting Started in Art Photography course using the Colour Image Transfer and Bas Relief techniqueA photographic artwork by Reginald Blair, made on the Getting Started in Art Photography course using the Black Powder Transfer techniqueA photographic artwork by Suzanne Pohlner, made on the Getting Started in Art Photography course using the Solarisation technique

Before you begin

What you will need

  • A camera. A DSLR or mirrorless, or a good bridge camera with full manual mode and RAW.
  • An inkjet printer and a laser printer. Both are used, for different techniques.
  • A light or tracing table, and a couple of lamps.
  • Paint, art paper and solvents. We send the full list before you start, and nothing on it is exotic or expensive.
  • Software. Camera Raw and Photoshop are useful but not required. Any RAW developer will do, and the free Snapseed app covers a surprising amount.

Would you like the whole list before you decide?

We have written the full equipment and supplies list out properly, with what to buy, where to find it and what can wait until later. Put your name in and we will send it over.

No spam. Unsubscribe any time.

Common questions

Before you ask

Do I have to do the courses in order?+

Yes, and it is not a sales tactic. Each technique assumes the ones before it, so Going Further genuinely does not work if you have not done this first. Start here and you will be on solid ground.

What comes after this one?+

Going Further in Art Photography, which is eight techniques built around abstraction. After that there are two more coming, Next Level Fine Art Photography, being recorded now, and Advanced Fine Art Photography, which is being released in 2027. That said, plenty of people finish this course and stop, quite happily, and there is nothing wrong with that.

What is the difference between art photography and fine art photography?+

Art photography is largely decorative, work that is beautiful to live with. Fine art photography is emotive, work that is trying to say something and move somebody. This course and Going Further are the first. The two courses coming next are where the second begins.

Do I need to know photography already?+

Very little. The course assumes a working camera and a willingness to use it. If you are an artist coming to photography with no photographic background at all, take the Essentials Photography course first and then come back.

Do I need to know Photoshop?+

No. Photoshop is not a prerequisite. Some secondary techniques use it, and those come with beginner tutorials you can take or leave.

What if I fall behind?+

Nothing expires. Every module stays in your personal library indefinitely and you work at whatever pace suits your life. Students routinely take longer than eight weeks and it does nobody any harm.

Why are the lessons released weekly rather than all at once?+

Because you need time to make work between them. The first lesson runs over two weeks, which covers your preparation and your first technique, so there is no rush at the start. After that a new lesson arrives each week. David Schlosser put it better than we could: thank goodness they were not all available at once, because I would have tried everything in one night.

What feedback do I actually get?+

You join a class circle with the people who started when you did, there are Q&A groups, recorded sessions with Martin, and the Inspire Community with the creative advisors in it.

What equipment do I need?+

A DSLR or mirrorless camera, or a good bridge camera with full manual mode and RAW. An inkjet printer, a laser printer, a light or tracing table and a couple of lamps. Then paint, art paper and solvents. We send the full list before you begin.

Ready when you are

Getting Started in Art Photography

$690

Eight weeks if you follow the programme · or at your own pace · your library for good

  • Eight easy to follow structured lessons, released weekly so you have time to create without pressure
  • Your own class group of people learning side by side with you
  • Five months complimentary access in the Inspire Community, worth $145, included
  • Scheduled and recorded question and answer sessions with Martin every two weeks
  • Honest feedback from Martin and Samantha, along with their team of creative advisors
  • Every module yours in your library indefinitely, so you can go back and refresh a technique at any time
Get started today

Not sure yet? Watch the free masterclass first, it costs nothing and it will tell you in ten minutes whether this is for you. Or take Refracted Impression, one technique for $39, and we give the $39 back off this course if you go on.

Candy Girl, a photographic artwork by Martin Osner, made with the techniques taught on the Getting Started in Art Photography course
Candy Girl by Martin Osner
Adorn, a photographic artwork by Martin Osner, made with the techniques taught on the Getting Started in Art Photography course
Adorn by Martin Osner
Harmony in Bloom, a photographic artwork by Samantha Lee Osner, made with the techniques taught on the Getting Started in Art Photography course
Harmony in Bloom by Samantha Lee Osner

Still deciding?

Talk to Martin for fifteen minutes

Only if you are serious about this, please. Martin keeps a few of these slots open each week and they are meant for people genuinely weighing up their next step, not for browsing. If that is you, tell him where you are with your photography and he will tell you honestly whether this course is the right move, or whether something else would serve you better.

Book a fifteen minute call