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A misty hilltop village in the Loire Valley, France, where Martin and Samantha Lee Osner run the Chateau Art and Photography Workshop

Photo art experiences

Some photographic experiences do not travel down a wire. These are the ones.

A few times a year Martin and Samantha Lee Osner take a very small group somewhere beautiful and work alongside them. Camera in the morning, brush and ink in the afternoon, and something finished by the end of it.

Around ten people at a time. Dates, prices and booking live on artphoto.academy.

Why the numbers are kept so small

Around 10 people, not 50

Almost every workshop you will find is built around filling a room. These are built around the opposite. The group is small because a small group is the only way this particular kind of teaching works at all.

One

Taught over your shoulder

Not from the front of a room. Martin stands behind you while you are actually working, watches what your hands are doing, and says the one thing that changes the picture. You cannot do that with thirty people and a projector.

Two

Mentored rather than instructed

Nobody is handed a recipe and left to copy it. The work you make is yours, and the guidance bends around what you are trying to say rather than around a syllabus.

Three

You leave with work, not notes

Every one of these ends with finished pieces in your hands. Photographed, worked by hand, and made in the place you were standing in.

Where they are held

Four experiences, four very different places

Each one is run by Martin, and two of them alongside Samantha Lee Osner. Full details, dates and booking sit on artphoto.academy, so what follows is the character of each rather than the paperwork.

A hand working a landscape in oils on a small easel, from the Chateau Art and Photography Workshop in the Loire Valley

Loire Valley, France

Chateau Art and Photography Workshop

Six days based in a chateau, photographing medieval villages, river valleys and stonework that has been standing for eight hundred years, then turning those photographs into finished artwork with pigment ink, chromatic washes and transfers onto fibre. Taught by Martin and Samantha together. There is no fixed timetable, the day follows the light.

  • You make Photographs worked by hand into finished pieces
  • Group size Up to 12 people
  • Includes Accommodation, all meals, transfers, materials
See dates and book
A tree in the Overberg landscape near Swellendam, photographed and worked by hand at the Art Photography Retreat

Swellendam, Overberg, South Africa

Art Photography Retreat

Five days in a valley surrounded by mountains and the beauty of nature, a three and a half hour drive from Cape Town. Mornings on location, afternoons at the table with paint, watercolour and texture, and evenings looking honestly at what everybody made. Martin and Samantha both teach it.

  • You make Layered, textured pieces built from your own photographs
  • Group size Up to 10 people
  • Suits Anybody who wants to be got away from their desk
See dates and book
A giraffe rendered as a soft, painterly abstract, from the Wildlife Art Photography Workshop at Marloth Park

Marloth Park, on the edge of the Kruger

Wildlife Art Photography Workshop

Wildlife photography taken somewhere it very rarely goes. The animals are the beginning rather than the end, and the work that comes out of it looks far more like painting than like a safari album. For photographers who have taken the sharp, correct animal picture many times over and want something else from it.

  • You make Wildlife photographs turned into fine art pieces
  • Group size Eight to 10 people
  • Suits Anybody who wants to explore beyond technically perfect animal and wildlife photography
See dates and book
A painted landscape of trees and fields, from the Art of Painting Breakaway workshop in Napier

Western and Northern Cape, South Africa

The Art of Painting Breakaway

The one where the camera takes a step back. Your own photographs become the starting point and the rest of it is paint, and you go home with work you made with your hands. No painting experience is expected or wanted, which is rather the point of it.

  • You make Finished paintings, taken home with you
  • Group size Small, quiet and unhurried
  • Suits Complete beginners at painting, very much included
See dates and book

What actually happens

A day on one of these

These are not holidays with a camera, and they are not workshops where you sit and watch somebody else work. They are creative working days, and attendees tend to be quite surprised at how tired they are by the evening, because of the creative energy spent.

Early

Normally out on location long before daybreak, while the light is still worth having. Martin works alongside you rather than in front of you, and the talking is quiet and one to one.

Late morning

Back for a quick breakfast, then into the studio or around the table to look at what was photographed. You get honest feedback, not only from Martin and Sam but from everybody, which is uncomfortable for about ten minutes and then becomes the best part of the week.

After lunch

Hands in the materials. Ink, pigment, wash, transfer, paint. This is where a photograph stops being a photograph, and it is messy, which everybody enjoys more than they expect to.

Evening

Back out shooting with the last light of the day, before getting together for a communal supper. The time is spent talking about what worked and what did not. A small group means it is a conversation rather than an audience, and a good deal gets learned around the table, while making friends you keep.

Who these are for

You will get a great deal out of one of these if

  • You can already work your camera and it is your pictures, not your settings, that have stopped satisfying you
  • You want to be told the truth about your work rather than applauded for it
  • You like the idea of making something with your hands as well as with a lens
  • You have an open mind about a creative workflow, one where the camera is welcomed in as an instrument on the workbench of art rather than the whole of it
  • You would rather be one of the ten than one of the fifty

And who they are not

Probably give it a miss if

  • You are looking for a photographic tour with a guide and a schedule
  • You want to be left alone to get on with it, because you will not be
  • Pure photographic capture through the lens is your one true love, and you are happy with the results you are getting
  • Getting your hands dirty with paint does not appeal to you even in the slightest

The full detail lives on artphoto.academy

Dates, prices, what is included, where you stay and how to hold a place. All of it sits on Martin's own site, which is where these are run from.

See all experiences

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